It all began with coincidence. When my grandmother and I decided to visit Hamburg, I instinctively went looking for the city’s best venues and their programs. Before long, I was holding tickets for The Breeders at the Fabrik, a former machine parts factory right in the middle of the lively, down to earth Altona neighbourhood.
It had been scheiße heiß that day in Hamburg’s Altstadt and by the waterside in the harbour. The slight breeze passing over the Elbe and the sight of the glacial Elbphilarmonie provided some refreshment, along with a pint of Erdinger Weissenbier. In the early evening, the piercing sun left behind a sultry, harmless heat.
You could easily mistake the sidewalk in front of the Fabrik for an outdoor screening of a World Cup match. Hands holding Carlsberg bottles, people wearing T-shirts of their favourite team (either The Breeders or local club FC Sankt Pauli), anticipation in the air.
Sturm und Drang
Apart from the old crane on the roof, the front of the Fabrik didn’t seem to hold anything special. But once inside, I got struck by its unique architecture: a high church-like room with a glass ceiling, hefty wooden beams, a 360° gallery on the first floor and an impressive wall of fame on the second floor. U2, Killing Joke, John Abercrombie’s Gateway Trio, Alphonse Mouzon, Holger Czukay, Klaus Schulze, Carla Bley, Billy Cobham, John Mayall, Miles Davis, … These greats and many others made the Fabrik the modest music temple it is today.
The Amsterdam youngsters of Pip Blom moved the audience’s minds away from the past. The band played its first gig on German soil. And as soon as 20 year-old singer Pip (vocals/guitar) and her band started making noise and launched their energetic form of slacker pop into the former factory, people started pouring in.
Wherever they go, Kim and Kelly Deal seem to prefer (part-)female opening acts. With ‘Last Splash’ and lead single Cannonball they hit jackpot in a male-dominated music industry and did things by their own standards. No compromises. Now they support other bands to do the same. For Pip Blom, it worked. The crowd appreciated the melodic Sturm und Drang of the Dutch quartet. Some people sang along, some mirrored the shaking bodies onstage.
Tension and release
Obviously, The Breeders gave a more mature impression, marked by a 30 year history of monster success and disintegration, addiction and rehab, line-up changes and reconciliation.
In 2013, the rejuvenated classic line-up of Kim and Kelley Deal, Jim MacPherson and Josephine Wiggs embarked on a tour to celebrate 20 years of ‘Last Splash’. A reunion that eventually led to the brilliant ‘All Nerve’, released in March.
Not that old tensions are gone altogether. “We don’t always get along”, Kim told J Double. “I think it’s sort of key.” Of her sister Kelley, she said: “Sometimes, I just want to take a knife and gouge her eyeballs. But then at other times, she says something and I think, Wow, that was really cool.” Meanwhile, Kelley told The New York Times about the experience of recording ‘All Nerve’: “We still butted heads.” And then they went out to get some ice cream and discuss the latest episode of their favourite true crime series. (Uncut Magazine #251)
So when Kim introduced Kelley in the Fabrik as the singer of the next song (I Just Want to get Along) with the words “Mother says Kelly has to sing a song”, it was both funny and poignant.
Smiling and shaking
If past tensions had left its mark on the band, you couldn’t tell from the energy on stage. Even in the back, it was hard not to be enchanted by Kim’s beaming smile. And Jim MacPherson’s drum set was a living thing, shaking with excitement right from the beginning, which had new song Wait in the Car sandwiched between ‘Last Splash’ favourites New Year and No Aloha. The band mainly drew songs from that album, 25 years old this year, and the new one, ‘All Nerve’.
Not suprisingly, just two tracks from the interim period made it to the setlist. MacPherson, who had left the band after the release of ‘Last Splash’, recalled in Uncut Magazine: “Hearing the new Breeders records coming out was like a knife in my gutt.”
Kim didn’t try to beat around the bush. Before she started one of those songs, Huffer, she said: “You can all song along to this, for it is the album before rehab. So the lyrics are really simple.” A goofy stab at herself.
On the verge of falling apart
Watching The Breeders launch into Cannonball and the wild audience reaction from the gallery was a sight to behold. Suddenly the crowd began jumping around as if trying to walk barefoot over red hot coals.
Tracks like Spacewoman, the gentle country of Drivin’ on 9 and Off You balanced the pace, the latter beautifully played by just the Deal sisters (“I am the autumn in the scarlet, I am the make-up on your eyes”) and immediately followed by the Pretty Vacant-like mood of I Just Wanna Get Along. Allegedly, Kim wrote that song about her failing working relationship with former Pixies-bandmate Frank Black, but after all that happened in her own band, the title took on a wholly new meaning.
Josephine Wiggs, who always comes across as the most sensible of the quartet in interviews, got it right when she told of the band’s sound to The New York Times: “Often I feel like it’s right on the verge of falling apart, and then it doesn’t. And there’s something super-exciting about that.”
In hindsight, I think that’s exactly what made this gig so special. That and the amazing surroundings of the Fabrik. All authentic. The real deal.
[Full setlist: below video]
- ‘How the Breeders Finally Learned to Get Along’, The New York Times (22 February 2018)
- ”We don’t always get along’: Kim Deal opens up about life in The Breeders in 2018′, Double J (7 March 2018)
- ‘A Bigger Splash’, Uncut Magazine (#251, 1 April 2018)
- ‘The Breeders live in Hamburg: Wenig Show, aber starke Musik’, Sounds & Books (4 July 2018)
The Breeders@Fabrik, Hamburg – Setlist
- New Year
- Wait in the Car
- No Aloha
- Divine Hammer
- All Nerve
- Drivin’ on 9
- Walking with a Killer
- Fortunately Gone
- Off You
- I Just Wanna Get Along
- Happiness is a Warm Gun
- Skinhead #2
- Do You Love Me Now?
- Nervous Mary